“Bounce it, sleep on it, listen again tomorrow.”
An agency uses Aden to do its part of an artist's career inside the artist's own workspace.
Music catalog managementProspect shows in a pipeline the artist only sees once you share it, then place first, second and third holds per venue and room.
Group confirmed shows into a tour with routing, travel, crew, day sheets and setlists, against everything else the artist has booked.
Send the booking agreement for e-signature from a template, then raise the invoice and track the fee on the same show.
Film, TV, ad and game briefs move from lead to placement, with the exact tracks pitched against each one and an activity log.
Licensee, type, territories, term, fee and the signed agreement in the licence CRM, with reminders before it expires.
Email, SMS and listen-and-rate promo campaigns to the artist's contact lists, scheduled against the release plan and measured on the same tracks.
Tell us what an agency needs next.
Each artist keeps their own team, tracks and members. You work inside the areas the link opens, and the artist approves it first.
Agreements arrive by email and are signed with a legally-binding e-signature in the browser, on a phone or a computer.
Notes land on the version and the moment they are about, and the artist answers in the same thread.
Tell us what an agency needs next.
Your artists, releases and playlists on a themed page, on your own domain when you want one.
Logos, colours, banner, artists and files like riders and stage plots on one public page.
People outside Aden book a 30 minute call with someone on your team, in their hours, with a Google Meet link on the calendar.
Tell us what an agency needs next.
Link each artist team as Booking Agency or Touring Agency or Sync Agency or Marketing Agency. Only these parts open, and only for as long as you work together.
Closes when the relationship ends
The short ones are here. For anything else, ask below.
Run every artist an agency works with from one business, with one invoice.