“Bounce it, sleep on it, listen again tomorrow.”
Every managed artist is a team under your business. Move between artists the way you move between projects, with each artist keeping their own workspace, catalogue and members.
Releases, studio sessions, shows, tour dates and deadlines from every artist on one calendar, so the clash is visible before it is booked.
Contracts and e-signatures, per-artist financials, invoices and expenses, and the deals recorded against each track and album.
Member groups and roles decide which of your staff sees which artist and which area. A day-to-day manager, a tour manager and a bookkeeper do not need the same view.
Milestones, goals and release plans per artist, plus streaming, radio and social analytics, so a roster review is a page rather than a week of asking.
Tell us what a management company needs next.
An artist-agency grant opens every area by default, but each artist relationship can be narrowed. Some managers hold everything, some hold everything except financials.
Agreements arrive by email and are signed with a legally-binding e-signature in the browser, on a phone or a computer.
Notes land on the version and the moment they are about, and the artist answers in the same thread.
Tell us what a management company needs next.
Your artists, releases and playlists on a themed page, on your own domain when you want one.
Logos, colours, banner, artists and files like riders and stage plots on one public page.
People outside Aden book a 30 minute call with someone on your team, in their hours, with a Google Meet link on the calendar.
Tell us what a management company needs next.
Link each artist team as Artist Agency. Only these parts open, and only for as long as you work together.
Closes when the relationship ends
The short ones are here. For anything else, ask below.
Run every artist a management company works with from one business, with one invoice.